THRESHOLDGIRL…..thoughts as I write Threshold Girl the ebook

December 3, 2011

Where 1927 and 1910 Meet in Montreal… with Motion Pictures and Morality

Mack Sennett bathing beauty. Late teens or twenties. The card and the model, I imagine. In 1910 Mack Sennett was a player in D.W. Griffith’s Biograph silent shorts.

In 1900 Mack Sennett was Michael Sinnott of somewhere near Richmond, perhaps Danville. He was the same age as Edith, but their paths didn’t cross I imagine, as she was Presbyterian and he Catholic. In his memoirs, Sennett says he hung around with the Irish Catholics – and mostly went to funerals.

My Edwardian and Pre-World War I story about my husband’s great aunts,

< Threshold Girl

and The Diary of a Confirmed Spinster, Militant Suffragette Sympathizer and Inadvertent Opium Addict…and Milk and Water, by 1927 Prohibition era story about my grandfather Jules Crepeau, come together in many places, the hygienist movement and with motion pictures. My grandfather was the first to give testimony at an inquiry into the 1927 Laurier Theatre Fire. He also dealt with social reformers a lot, especially with respect to the City Improvement League. In 1921, some mostly anglo social reformer groups got together for force any inquiry into Police Corruption. My grandfather, Director of City Services was named outright, as someone who allowed underage kids into theatres, or, more to the point, forced the cops to cast a blind eye upon such infractions.

Here’s a bit I wrote a while back, on The Morality Ladies of the Montreal Council of Women

Blame it on the movies. Most people’s idea of these Canadian Council of Women Reformer types at the turn of the century, is of some ridiculous looking old woman (in a HUGE hat) going from book store to book store trying to get some fabulous work of literature banned. (I just saw this in the Life of Emile Zola, with respect to his Nana.)

But as I show on this blog and in my book Flo in the City, these Women’s Groups were responsible for improving the lives of many a disenfranchized city dweller – and for getting women the vote.

Not that some of them didn’t waste their time going from book store to book store trying to see if the establishments carried ‘immoral’ material -although they would have been better served just checking out their husband’s secretaries, I imagine. (The desk, I mean.)

It seems in 1912, postcards were wicked, (we can all imagine the type, probably available for purchase on eBay today, for a big price).

And there was a list of censored books. The Canadian Council of Women had to get special dispensation from Canada Post to be able to get these immoral books in the mail so these ladies could judge for themselves.

Yes, this is reform at its silliest. (Sort of like protesting over Katy Perry’s Sesame Street cleavage. I mean, when I was four I was given this Rosemary Clooney children’s album. Now, that was world class cleavage- and singing talent for that matter.)

In 1912, just like today, many people blamed the ‘bad behavior’ of adolescents on the motion pictures. The Montreal Council report quoted an expert who claimed to know of such incidents, where kids imitated the robbers in movies.

To be fair, I visited the Bibliotheque Nationale a few years ago to check on what they had in their fonds about the Montreal Council of Women. They have very little, but one item was of special interest. The Social and Moral Reform League of Canada, or some such organization, was lobbying to make it a criminal offence for unmarried people to co-habitate, but Julia Parker Drummond, after consulting experts, replied that ‘you can’t make people moral by law.’ She saw this initiative as unfairly targeting the poor, for it was the poor and new immigrants who lived together outside of wedlock. In those days, it wasn’t youths who lived together, it was older people with families and such who moved in common law. (The Canada yearbook shows only a few divorces in Canada for these years, but in those days, people ‘just broke up housekeeping’ and moved somewhere else.) In order to get a divorce you had to apply to Parliament. (I assume some rich people just walked away from their marriages. My husband’s grandmother did. Twice.)

Here’s a snippet from the Montreal Council of Women’s Committee Report on Immoral Material.

“Your convenor reports an average increase in the number of moving picture shows, there being 69, more than in all Canada 5 years ago. Many of these have been visited more than once by members of the Committee. The Chief of Police has been most courteous in interviews regarding important matters. The Pictures are somewhat improved, but the vaudeville is still of a very ordinary tone (sic.)Some managers interviewed would like to exclude vaudeville, as it is expensive, but the public demands it.

Objections are expressed resulting from darkened halls where the pictures are shown. There is a menace to morals in this and it should be prohibited.

Posters and postcards are undersupervision but the latter are found, especially in smaller shops.”

August 26, 2011

Who’s Who in 1910, Woman-Wise in Canada (and US)

Emma LaJeunesse, opera singer, known as Madame Albani. She was French Canadian and world renown.

I found a copy of a 1910 Canadian Who’s Who online and on one of the first pages I saw Madame Albani, the opera star, otherwise known as Emma La Jeunesse so I decided to scan the book to see how many women were included.

I first went to see if Julia Grace Parker Drummond was listed there, and she was! Her husband wasn’t, as he had just died. She had a long entry. “One of the founders and first President of the Canadian Women’s Club of Montreal (Montreal Council of Women.) And then her many leadership positions are listed. Lady Drummond is featured in my story Threshold GirlĀ  www.tighsolas.ca/page10.pdf.pdf
and she will be featured even more in the follow up, “Edith’s Story” tentatively called the 1912 Diary of a Confirmed Spinster, www.tighsolas.ca/page11.pdf.pdf

I then went to look for Carrie Derick, not expecting her to be there : but she was. In 1910, she is listed as Assistant Professor of Botany, McGill. Her many academic accomplishments are listed (Gold Medalist, first female faculty member, McGill 1891), and leaves out her McGill Normal School teaching work. (Now, THAT says something about how low in people’s esteem teaching was held. In fact there are no educators listed in this Who’s Who, despite the fact there were quite a few women in that field.)

Then I went through the entire book, start to finish to see how many other illustrious female figures are listed. NOT MANY.

In fact, it seems any journalistic credentials got a young woman into the Who’s Who. A few articles published, a few poems. Nellie McClung is listed, but only as a minor writer. Lucy Maude Montgomery, who published Anne of Green Gables in 1908, isn’t there.

For an actress to be listed, she has had to won international acclaim, or at least US acclaim. And that pretty well goes for the other females listed. Hence Madame Albani.

And there are not many society women listed, which surprises me. A Society Woman only got listed if she had something to do with good works on her local council of women.

Now, taking a rough guess, there is one woman listed for about every three pages of men listed, with about 10 listings to a page. So 1 in 30 on the 1910 Canadian Who’s Who is a woman. And often it’s a woman of little accomplishment like Mrs. Valance Patriarche, Newspaper articles, magazine stories and a few poems.

Mary Riter Hamilton, the impressionist painters, isn’t there, and only one other woman painter. Mary Ella Dingham. Education Paris, France and Italy. Exhibitor in many European and North American exhibitions. President of the Women’s Art Association of Canada. And, of course, Emily Carr isn’t there either.

One nurse, one professor of Philosophy at Wellesley College near Boston. Miss Eliza Richie, daughter of a Supreme Court Judge in Nova Scotia. One doctor I think and no lawyer, although there was one famous woman lawyer being written about in the era magazines, Mabel French. I’ve a post about her on this blog.

And a missionary, working with her (more famous) husband.

Also a couple of musicians who have performed internationally. Miss Evelyn Street, Second Violinist, American String Quartet of Boston.

And just like today, there are Canadian-born women who have made a mark entirely in the US. Miss Annie Diggs of London, Ontario, worker for temperance, chairman of D.C. People’s Party and a Suffragette in Kansas. Writer of short stories and a lecturer in sociology.

Why is this interesting in the context of my story? Because in 1910, it was widely believed that A YOUNG WOMAN COULD DO ANYTHING when it came to the professions (although most sensible women wanted to be mothers and wives). That all doors were open to women. That no more barriers existed to a woman’s career ambitions.

Magazine articles featured stories about women making, say, 10,ooo a year, when the ‘average’ salary for a man was 1,000 a year.

Actresses were often featured in magazines, but in real life they were both put on pedestals and villifed as one step above a prostitute.

The two women scientists I see here, Carrie Derick and another I can’t recall the name of, were both botanists. I suspect botany was considered a soft science, because of its association with flowers and art.

In Threshold Girl I bring this up…as Flora Nicholson likes to draw so does well in botany.

But Carrie Derick’s botany background gave her credibility in a very iffy area, eugenics. And that situation will be tackled in the continuation of Edith’s Story.

I think I will have Edith peruse this Who’s Who.

November 13, 2010

Forcing Myself to Focus

Filed under: 1911..,radio drama,social welfare movement — thresholdgirl @ 11:52 am

Marion?

Maybe I should just write a play for the year 1911. Maybe I have bitten off more than I can chew with these 6 years 1908-1913.

You know, when I first found the stash of Nicholson letters, I read the 1911 year at Macdonald Teaching College first. Why? Because they were mostly between Marion and Flo who both had nice handwriting!

But now, six years later, I know so much more about the era. Imagine, it has taken me six years to research six years in history. How funny.

I think I can get all the major themes into 1911, Flora’s year at Ste-Anne de Bellevue, where she went into town to see plays with her sisters who were both already teachers in the big city.

All the social welfare themes, suffragette themes, the education reform themes, all tied together.

And now I know I must also focus on the Presbyterian’s anti-semitism and racism. Marion’s issue will be her black students and Jewish friend from Normal School. Edith’s issue: all the suffragette and new woman stuff. Margaret that year was fighting with the missionary ladies, because she has no interest in helping the less fortunate in that way and with her own family over the care of her aging mother. And there were all those deaths in Richmond 1912, including her own brother Dan.

I can start this play right now.

“Matel, I’ve been accepted into teaching school!” said Flora Nicholson, Yea ( wildly the fanning the air over her head with the envelope and letter.

Oh, thank god. I knew Inspector R. would come through for us.

Flora, take care, you’ll injure yourself waving your arm around like that. Give me the letter!

No, I’ll read it out to you. I must practice my elocution.

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